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The Comedy Becomes A Tragedy

, , , , , | Working | February 8, 2018

(I work in the box office of a dinner theatre. When I was first hired, I was told that one of the perks of the job was getting two free tickets for each new show. They then took this perk away, which meant that if I wanted to see the show, I had to pay full price. Since the tickets are expensive and I am a poor student, I rarely do this.)

Customer: *on the phone* “I’d like to ask you some questions about [Show].”

(They ask me some basic questions, such as, “who’s in it,” “how long is it,” “what’s the plot,” etc. I answer all the questions based on the information I’ve been given by my boss.)

Customer: “Is it funny?”

Me: “Oh, yes. It’s a comedy.”

Customer: “Do you think it’s funny?”

Me: “I haven’t actually seen it yet, sir, so I can’t answer that.”

Customer: “Oh. Well, who can?”

Me: “I’m afraid I’m on my own tonight, so there’s no one else to ask. I could get one of my colleagues to call you tomorrow, if you like.”

Customer: “Never mind. Is there swearing?”

Me: “There is a profanity warning, yes.”

Customer: “What kind of swearing? The ‘s’ word? The ‘f’ word?”

Me: “I’m sorry; since I haven’t seen it, I don’t know for sure.”

Customer: “Fine.” *hangs up*

(I didn’t think any more about that call until a few days later. I came in for my shift and found a letter hanging from our bulletin board. It was a furious rant from that customer, saying how incompetent I was, how little help I’d been, and how he would never come to any of our shows if that was the kind of idiot they’d hire for their box office. The only upside was that he hadn’t gotten my name, and he didn’t specify the date on which he’d called. Good thing, too, because my boss went on a tirade about that letter, vowing to fire the person responsible. I quit shortly after that.)

Would Rather Walk Into Mordor Than Do That Again

, , , , , , | Learning | January 25, 2018

(I have an anxiety disorder, but I am moderately all right with performing on stage, as I have learned to look over the heads of the people and at the back wall. I am a big fan of “The Hobbit,” so when my co-op decides to put on a play of the book, I try out. I end up getting the role of Gandalf, which pleases me, as he is my favorite character and I act very much like him in real life, even though I am female. Halfway through the year, we perform a scene at a performance held twice every year. The stage is much smaller than the one we have been practicing on, and there was only one rehearsal on the smaller stage, which I missed due to sickness. Since I play one of the mains, I show up to the performance, and the director tells me what to do, vaguely, while gesturing at the stage. I begin to panic, but I figure that since Gandalf only has two lines in this scene, I’ll be okay. Five minutes to the performance, as I am watching one of my close friends sing, the stage manager grabs me from the audience and pulls me to the lobby to add more stress to my life. Note: this is the first time I have been in a play.)

Stage Manager: “So, [Assistant] and I were thinking that at the end, when you lead the dwarves off the stage—”

Me: “I lead the dwarves off the stage?”

Stage Manager: “Oh, yeah, totally.” *pause* “Did [Director] not tell you?”

Me: “No!”

Stage Manager: *waving me off* “Eh, you’ll be fine. Anyway, you have to lead everyone off the stage, and then we were thinking that instead of going into the audience, that you should curve around the stage, crouch and stay there, wait for [Bilbo] and [Gollum] to get done with their scene, and then stand up and bow.”

(I freak out a little, but I again assume I’ll be fine. It seems easy enough, and I don’t panic that much until she says this:)

Stage Manager: *with hand on my shoulder* “Just don’t mess this up, hon. If you mess this up, nobody will want to come to the actual play. We’re counting on you.”

(She claps me on the back and walks away. THAT is when I start to panic. We are called to get ready, and I go to get Gandalf’s cape. This is the conversation I have with the costume designer.)

Costume Designer: *blinking at me* “Oh, [My Name]! Why are you here?”

Me: “I’m… here to get my cape?”

Costume Designer: “But you’re not in this scene, sweetie!”

Me: “Yes, I am. Ask [Director].”

(She checks with the director and then comes back, looking rather sheepish.)

Costume Designer: “Oh, sorry. I didn’t remember, because, you know, Gandalf isn’t really all that important. Here, wear this.”

(She hands me what appears to be the kind of cape that a princess would wear, but at this point, I’m panicking too much to care. I’m also feeling rather downtrodden, as she has made it seem like I, and the character I am so proud to play, are worthless. To put the cherry on the crappy ice cream sundae, I hear the stage manager, her assistant, and the director talking.)

Stage Manager: “So, [My Name] is going to do what we talked about. Hope she doesn’t mess it up.”

Assistant: “I don’t think she will, but if she does, the scene will be screwed.”

Director: “I wonder how she’ll even do on stage. I mean, she’s a good actor and everything, but she’s so d*** shy that I don’t think she’ll do the best.”

Assistant: “Good actor? Really? From what I’ve seen, she has the acting skill of a five-year-old.”

Stage Manager: “No, she’s a good actor. Bad human being, good actor. I mean, who acts like that? I can understand why she doesn’t have any friends.”

(Their conversation ends and I am nearly in tears. We get on stage, and I do all right with my first line. I look down to the floor around the stage as I am sitting before the battle, to plot out how I am going to get us all through the tight space we are given. I see the stage manager.)

Stage Manager: *mouthing* “Don’t. Mess. Up.”

(Everything goes to hell after that. I end up saying my other line too early, because I can’t see the action that is my cue, as my glasses were taken from me so I’d look more “Gandalfy.” I start to panic as I see the assistant gesturing wildly at the stage manager, and I forget the instructions I have received and end up crouching at the bottom of the stage without leading everyone around. This isn’t too horrible, and we don’t look bad, but the stage manager starts gesturing at me and mouthing, “Go, go!” while the director shakes her head from next to her. I do nothing, listening to the director. The scene ends, we bow, and then we exit into the lobby where the stage manager storms up to me.)

Stage Manager: “I can’t believe you! You messed up the entire d*** scene! You’re going to ruin this entire play, aren’t you?”

(She stormed off and I saw the assistant glaring at me. I ended up in the parking lot next to the building, alone, having a panic attack. I also ended up throwing up in the bathroom. Later, as I left, still trembling, I saw the director chewing the assistant and the stage manager two new a**h***s. Even though justice had been served, I still felt horrible. I am still in the play, but I have decided something: I am going to play the hell out of my awesome character, even if it’s the last thing I do.)

Villain Blows, And Also Sucks

, , , | Friendly | January 17, 2018

(We are watching a local pantomime. For those who don’t know the genre, it is a comedy play geared towards children and families with lots of audience participation. This one is a parody of a popular sci-fi franchise. The villain has just proclaimed their evil plan to blow up the world, to the heroes, who are in shocked silence…)

Child In Audience: “YOU SUCK!”

A Fee-ble Attempt At Avoiding The Fees

, , , | Right | January 3, 2018

(I work in the box office at a theater in NYC and have worked with and know a lot of people who work in theaters in the city, so I am familiar with many theater’s ticketing policies. A customer calls in to purchase tickets for a show. I have a ticket fee discussion with a customer at least once a day.)

Me: “Thank you for calling [Theater]; how can I help you?”

Customer: “Do I pay the same fees online as I would if I bought them with you?”

Me: “Yes, the same fees apply online and over the phone. If you purchase in person at the box office the fees are waived.”

Customer: “That is absurd. $4.50 for each ticket? I’ve never heard of such a thing.”

Me: “It’s actually quite common for online and phone tickets sales at all theaters including movie theater ticket purchases.”

Customer: “Well, I’ve never seen such an expensive ticket fee! [Other Theater I work at] doesn’t have ticket fees!”

Me: “Actually they do. It’s a seven dollar fee. This theater actually has the cheapest ticket fee that I know of in the city.”

Customer: “Well, I’m not paying that. I refuse to pay the fee.”

Me: “Okay. Well if you come down to the theater and purchase at the box office the fees will be waived.”

Customer: “Can I reserve the tickets with you and then purchase them at the box office when I pick them up tonight?”

Me: “Unfortunately the only way to reserve tickets is by purchasing them. So if you want to take the chance that we’ll still have tickets for tonight’s show when you come, you can come down and just purchase at the box office you’ll save on the fees.”

Customer: “So, there is no way for me to get around the fees?!”

Me: “The only way avoid the fees is to purchase at the box office in person.”

Customer: “Well, will there still be tickets for tonight’s show?”

Me: “Which show?”

Customer: “Tonight’s show!”

Me: “We have multiple shows and multiple theaters in our building. Do you know—”

Customer: “The one at 7:30!”

Me: “We have [Show #1] at 7:30 and [Show #2] at 7:30. Do you know which one?”

Customer: “No! I was only told the 7:30 show at [Theater].”

Me: “Well [Show #1] is close to selling out. We only have about six tickets left. [Show #2] is a little more than 50% sold so we have more tickets for that.”

Customer: “So, will there be tickets when I come tonight?”

Me: “I can’t guarantee that there will be tickets at showtime, especially since [Show #1] is close to selling out.”

Customer: “Yes, but you’ll have tickets for [Show #2], right?”

Me: “It is more likely that we will but I still can’t guarantee there will be tickets because I can’t predict if people will buy tickets between now and then.”

Customer: “You mean to tell me that you have no idea if you will have tickets when I come there at 7:30?”

Me: “Correct. I cannot predict if people will purchase tickets between now and then.”

Customer: “Well, can you transfer me to someone who does?”

Me: *confused because no one at my theater has a crystal ball* “I don’t think anyone here knows that information.”

Customer: “Why not?”

Me: “Because all of that depends on if other people plan on purchasing tickets for the shows and we cannot predict what other people are going to do.”

Customer: “Well, this is absurd! I’m not paying those fees.”

Me: “All right, well, that’s the policy, so if you don’t want to pay the fees then we can’t reserve the tickets for you.”

Customer: “Then I won’t buy them.”

Me: “Okay.”

(Pause.)

Me: “Is there anything else I can help you with?”

Customer: “So you don’t want me to buy the tickets?”

Me: “If you aren’t going to pay the full price then not only do I not want to sell them to you, but I physically can’t since it’s not possible.”

Customer: “Fine, I’ll pay the fees.”

(Customer purchased tickets over the phone. I worked will-call later that night. She never picked up her tickets.)

I Will Be Popular, By Hook Or By Crook

, , , | Friendly | December 19, 2017

(My friend and I just completed a production of ‘Peter Pan.’ I was Wendy, and he played Captain Hook.)

Me: “[Friend]! This little girl came up to me and gave me a flower and said she thought I was really pretty and wanted to be nice like me when she grew up!”

Friend: “Well, that’s nice. A little girl came up to me and said that I was evil and deserved to be eaten by the crocodile.”